New CCT Postcards, Hot Off the Presses!
Hey everyone, here’s the latest from the Canadian Culture Thing postcard line…
Hey everyone, here’s the latest from the Canadian Culture Thing postcard line…
Here’s a relatively dull image of the foot of Ossington Avenue at Queen Street West. You might recognize that some of the buildings still remain (even in part). Though it is now becoming the gateway to a great dining strip, it certainly pales in comparison to the charm it once had.
Once called Dundas Road, Ossington served the community of workers from the many local factories as well as the Provincial Lunatic Asylum. Today, sounding more like a night-club than a hospital, the Provincial Lunatic Asylum which once sat on the south side of Queen Street West is now called the Centre for Addiction and Mental Health (CAMH). While the original parameter wall still stands on Shaw St. and along the rear wall as well as some of the grounds buildings, there is nothing left of the original building. Though the new buildings of CAMH are utilitarian and dull compares to the once-majestic (on somewhat ominous) Provincial Lunatic, what we’ve lost in it’s beauty of architecture, we’ve gained in social understanding and tolerance.
This view is from Queen circa 1909 showing the original clock tower of the original Dundas Road fire hall. Seen also is a Toronto Railway Company streetcar travelling south. In 1921 the TRC joined with the Toronto Civic Railways to become the Toronto Transit Commission, or TTC.
At this time Ossington Avenue was called Dundas Road. When the Toronto city limits only reached as far west as Bathurst Street, Dundas Street West ended there at it’s far western end. Arthur street was the continuation west and began a short distance north from Dundas. Today, Dundas curves north east of Bathurst to connect with the former Arthur Street.
Note the Painted Coca Cola wall. This photo was taken within 15 years of the very first wall painted with a Coca Cola advertisement.
The first webisode of the new animated series featuring Canadian super-hero Captain Canuck has launched. Crowd-funded through Indiegogo, Captain Canuck features the voices of Kris Holden-Reid as Captain Canuck, Tatiana Maslany as Redcoat, our CCT friend the beautiful Laura Vandervoort as Bluefox (she’s a fox in any colour)and Paul Amos as Mister Gold. Created by our friend Richard Comely and Ron Leischman, Captain Canuck first appeared in print in 1975.
146 years ago, after some really crazy make-up sex, the French and English gave birth to a nation of the future.
Canada, you really are aging well. You don’t look a day over 126.
Natalie Brown was by Valhalla and let me tell you, she’s prettier in person than in any photo or film. That says a lot! After a severe reprimand about having spelled her name incorrectly, Natalie was kind enough to sign her Canadian Culture Thing MapleLeafForever stamp on the back of CCT0113. I had unfortunately projected my French-ness on her Italian-ness (these two of course have nothing to do with Loch-ness) and I added an “H” to her name.
Timmins, Ontario native Natalie Brown (or Nathalie Brun as I like to call her) has appeared in a plethora (that’s right, plethora.) of films, television and commercials. She found her way into pop culture at a young age as the flirtatious Heinz Ketchup girl. From there her modeling career took off and she worked on campaigns for Noxema and Max Factor.
Natalie has appeared in countless films, including How to Lose a Guy in 10 Days (2003) with Kate Hudson and Matthew McConaughey and horror classics like the Dawn of the Dead (2004) and Saw V (2008). Though she has appeared in more TV shows than you can shake a stick at, Natalie starred in the comedy series Sophie (2008-2009).
As the memorable Bailey’s “hot girl”, Natalie Brown inspired TV and movie-goers, to not walk but run, RUN to liquor stores everywhere on chilly winter nights.
In 2010, Natalie appeared as Carol Haplin on the short-lived but super-cool Happy Town. Happy Town was yet another example of an awesome show that got canceled because it was too great for masses to appreciate (et al Firefly, Pushing Daisies, the Tick).